Hosanna, Lux! Rosalía’s fourth studio album is as commanding as it is demanding. A leap several universes away from her 2022 LP Motomami and its glitchy hip-hop, reggaeton, and flamenco rhythm inflected-sass, on Lux, she sings in 13 languages and is often accompanied by the London Symphony Orchestra. It is a challenge to music tastes dictated by an algorithm, homogenizing tastes, and pop slop. You must submit to her beatification via transcendent beats, where pop and religion intertwine and articulate something even more heavenly.
Her fashion, in the build-up and roll-out of Lux, in its music videos, and in the months since, finds that same sacred sartorial rhythm. During last fashion week, Rosalía stuck to her heaven-ready white color scheme, in custom floaty Dior and feathery Schiaparelli. The Lux album cover, styled by Chloe and Chenelle, dresses Rosalía in a nun’s veil and arm-constricting top from Alainpaul spring 2025—as if she’s about to experience a fit of religious ecstasy. For album visuals, she wore the Ann Demeulemeester by Ludovic de Saint Sernin singular, white leather feather.
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While out promoting the album, Rosalía wore a sinewy, sheer Dilara Findikoglu fall 2024 gown while performing at the LOS 40 Music Awards in Valencia, Spain. The dress featured cream tulle panelling with a black overskirt—the angelic and the underworld aesthetics intertwining.
“I wanted to express divine feminine power somewhere beyond time, beyond reality, and beyond what is happening,” Findikoglu told Vogue of the collection at the time. The Dilaraverse and Rosalía’s visions for Lux orbit each other.
On the red carpet of the LOS40 Music Awards, Rosalía looked the part of a fall angel in custom Balenciaga spring 2026, with a feathered black cape and otherworldly creature crystal and black sunglasses. Another promo shot outfits her, in a state of intense prayer, in Jean Paul Gaultier spring 2004 corset gloves—a twisted, ascetic image.
Rosalía in Dilara Findikoglu fall 2024.
The video for goth-pop, avant-orchestral “Berghain” revels in archival, off-the-runway pulls, styled by Jose Carayol. There’s a clinging black dress and jacket from Alexander McQueen’s fall winter 2002 collection, sourced from London’s West Archive. “I wanted it to be romantic, beautiful,” McQueen told Vogue of the collection at the time. “Power to the women!” The designs melded milkmaid necklines with Helmut Newton-esque details like leather bodices and tight pencil skirt. It’s the same—sometimes pleasurable, sometimes painful—dichotomy that has fascinated the Catalan star.
There’s also a pair of rosary-bead strapped and cross charmed sandals from McQueen’s spring 2003 collection and a Nicolas Ghesquière-era Balenciaga spring 2004 bloom pink pleated silk dress—another body-contouring couture-like collection that, as Ghesquière put it, “gives power to femininity” through the contrast of structure and fluid textiles. Both were sourced from Barcelona’s Algo Bazaar. Another scene sees Rosalía in a gray fringed scarf-top and a low-rise pleated skirt from the McQueen-era Givenchy spring 1997 collection, and a button adorned tank top from McQueen spring 2003. Both Ghesquière and McQueen’s female characters have enchanted the pop star, from Ghesquière’s mythological goddesses to McQueen’s witches; quite right for an artist whose album is influenced by medieval mystic Hildegard of Bingen and former sex worker turned poet and saint Vimala.
When Madonna was on her own spiritual journey in the late ’90s, culminating in the Ray of Light album, she looked to designer Olivier Theyskens for clerical-like gowns and ensconcing corsets set in shiny leathers, playing with the juxtaposition of sensuality and self-covering. Rosalía dove into Theyskens archive, and styled by Chloe and Chenelle, wore a vintage Olivier Theyskens leather ensemble: a high-necked top and ruffled knickers, reveling in those same contrasting ideas.
Outside of vintage, Rosalia has worn a Vivienne Westwood by Andreas Kronthaler spring 2026 dress, a bridal boudoir gown with a Sacred Heart-esque lock pendant. There’s a beatific and bulbous Thom Browne spring 2026 skirt, using her album cover to conceal her top half—because there’s still room for joy and playfulness in this astral plane. At a Barcelona listening party for Lux, the singer wore a celestially sheer cream Colleen Allen fall 2025 gown: the New York designer’s collection, though on face-value seem austere, show a reverence for the female form.
In the months following Lux, she’s continued to dress like a toughened up angel: a ruffle-skirted Chanel spring 2026 with some nasty patent black Chanel pumps to resist any prim feeling, and a floaty dress gets paired with Margiela tabi knee-high leather boots. She’s also allowed herself to find some humor in it, sporting a “God Complex” graphic tea in sky blue and neon pink.
As shown above and below, Rosalía isn’t done yet with her blessed style run.
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